Art Spiegelman’s Pulitzer Prize-winning graphic novel Maus is a landmark in the treatment of the Holocaust and a major advance in serious comics art, but his overall achievements are more remarkable and eclectic. ART SPIEGELMAN: DISASTER IS MY MUSE traces his beginnings in the 1960s as co-creator of the trading cards Wacky Packages; his co-founding of the underground comics magazines Arcade (with Bill Griffith) and Raw (with his wife Françoise Mouly); In the Shadow of No Towers, his reaction to 9/11, inspired by witnessing the attacks from his home in lower Manhattan; his controversial covers for The New Yorker (1993–2003) that led the New York Police Department to picket outside the magazine’s office; and his public response to the recent banning of Maus by a Tennessee school board. Spiegelman proves an eloquent guide through his provocative work, alongside contemporaries (Robert Crumb, Gary Panter) and younger cartoonists (Joe Sacco, Jerry Craft, Molly Crabapple) inspired by Spiegelman’s unflinching confrontation with personally traumatic themes.
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